multiplex

Sly, wry, adorable and deplorable, Guillaume Marbeck is priceless as the endlessly irritating and yet frustratingly charismatic Godard in one of the year’s brightest pictures, a rare standout in a sea of multiplex mediocrity.

Friends texted to say they’d have to drive 50 miles to find a theater showing the film, a far cry from the 1980s when he got his start, and the multiplex drove culture.

But multiplex owners argue that ticket prices are reasonable and that audiences continue to visit in large numbers.

Part of the reason audiences are choosing smaller theaters over multiplexes is the care and attention staff members put into each showing.

In our modern, hyper-digital era, that power transcends the multiplex and hits streaming right in the gut.