fantasy

But they highlight a widening gap between Silicon Valley’s utopian automation fantasies and real-world questions about inequality, access and who controls the future of work.

We had assumed, of course, that we would have plenty of time—a dozen years, at the least—to live out these fantasies.

“This upside-down fantasy entertained by Judge Brown is plain error and justifies reversal.”

This transition can be traced in “Icons of the Fantastic,” a catalog of Stephen Korshak’s superlative collection of fantasy illustrations from the past 160 years.

The pulp magazines that featured 20th-century fantasy and science fiction were fronted by illustrations that could be laughable or lurid.