naturalism

Diane Keaton, whose effortless naturalism made her a perfect foil to so many live-wire actors of the 1970s in movies such as “The Godfather,” “The Godfather Part II” and “Annie Hall,” has died.

A decent actor needs both naturalism and performance skill.

If they made his eyes or his mouth too small or if they tried to drastically reshape his head with more naturalism in mind, he quickly lost his personality.

This half-hearted interest in naturalism hurts more than helps.

You’ve got that beauty and that spontaneity and that reality of the theater, and then you have the naturalism and the truth that we have with film and television.