interweaves

Costa, working in a mode that owes something to the essay documentaries of Chris Marker, interweaves elements of her family history with the recent history of Brazil.

It interweaves the traditional Latin text of the Requiem Mass with the anti-war poetry of soldier Wilfred Owen, who was killed a week before the Armistice.

At his best, Stanford interweaves vivid prose, a reverence for nature and a seasoned Angeleno’s eye for what makes this city unique.

Lee interweaves her time-travel narrative with explorations of the “inexplicable connections through time and space, the intrinsic cost of sacrifice, and the infinite metaphysical paradox of loving and letting go.”

It interweaves the poetry of Wilfred Owen with the words of the Requiem Mass to create a deeply moving and powerful work.