He gets to the coda at last and takes it at a somewhat livelier pace.
He tapped for the coda with the touch of a king knighting an illustrious subject.
The coda, as in the other sonata, is simply a strong passage of climax.
The third section is a varied repetition of the first with a coda.
It must be remembered that, as a point of structure, the existence of the coda is optional.