undead

In director Guillermo del Toro’s take on the classic fable Frankenstein, Elordi glows an undead white as the monster, his body a patchwork of human parts sawed off of Crimean War corpses.

One by one, they are turned into vampires by Kurt Barlow, ostensibly a furniture salesman but in fact a Pied Piper of the undead.

Mr. King’s most harrowing passages mesh the living and the undead in ’Salem’s Lot.

The newly undead Mississippi folks dance along, but it’s different from Sammie’s juke joint rapture — unnatural and jerky, even as they keep the rhythm.

Though Spike gets a few solid practice kills in on the slow-moving undead, his nerves get the best of him when it comes to the Alphas, wasting arrows that do little more than maim.