landscapes

Even before the production team landed on shooting on location in Australia, Ball’s first instinct was to get out of the dreary, overcast Vancouver landscapes from those previous films.

“Many soldiers regarded the aftermath of battle as even more horrific, describing landscapes so body-strewn that one could cross them without touching the ground.”

The narrative unfolds as the player explores different landscapes.

Diverse landscapes with good connectivity between quarries and calcareous grasslands proved to be particularly valuable.

An obvious list would include Robert Cottingham’s signature landscapes of elaborate neon signage and Malcolm Morley’s souvenir postcards of cruise ships and recruiting posters of naval destroyers.