double entendre

Yes, the “A-minor” double entendre was catchy, and it is always good to have Mustard on the beat.

The series’ title is a meta double entendre referencing the strife we put ourselves through just trying to keep up appearances, as well as Skinner’s creative style.

She has fun with shock value at first, ditching the double entendre to straight up say “come right on me,” but jokingly corrects herself as if becoming shy, replacing it with the similar word “camaraderie.”

The lack of subversion extends to the score, a bland assemblage of British music hall pastiche that stretches its comedic wings most confidently toward double entendre.

The double entendre sets a cheeky tone that Molly McGlynn, the film’s writer and director, strives to carry through every scene.