diminuendo

Later, after a short diminuendo featuring Joachim’s gorgeous live singing and those choppy, sampled vocals, the full-band dynamic returns, now with fiery lines from Joachim’s flute.

From New York Times ● Feb. 29, 2024

Saints meanwhile are coming off the back of their no-show in the FA Cup semi, and, with relegation a fate unlikely to befall them, face an elongated diminuendo to their season.

From The Guardian ● Apr. 21, 2021

In Mitchell’s case, the diminuendo was especially long, and his continued expectations for himself much higher.

From The New Yorker ● Apr. 20, 2015

As each wave rolls in—booming, roaring, growling, hissing—I listen to its voice: the unique contours of its rising and falling, its singular crescendo and diminuendo.

From Slate ● Feb. 24, 2015

It was an odd contrast between the triumphant note which had crept into the great barrister's voice and the diminuendo of Peggy's.

From A Butterfly on the Wheel by Gull, Cyril Arthur Edward Ranger

Rifle-fire is as inconstant in volume as piano music; there is something of human effort to be heard in the "tap ... tap ... tap ... tap-tap-trrrrapp" of its crescendos and diminuendoes.

From "Contemptible", by "Casualty" by

And instant by instant the flood of varicolored flame that poured into its petalings down from the sapphire ovoids waxed and waned in crescendoes and diminuendoes of relucent harmonies—ecstatic, awesome.

From The Metal Monster by Merritt, Abraham

Not only so, but the accompanying orchestra faithfully upheld and completed the symphony which rose and fell with crescendos and diminuendoes more glorious as the chorus pealed louder and nearer.

From The Trail of a Sourdough Life in Alaska by Sullivan, May Kellogg

He makes them dance for his pleasure, and you hear their breath come and go, in the swell and subsiding of those marvellous crescendoes and diminuendoes which set the strings pulsating like a sea.

From Plays, Acting and Music A Book Of Theory by Symons, Arthur

His delivery, with its sentimental diminuendoes and coquettish staccatoes, was reminiscent of the music-hall style, on which it was doubtless modelled.

From The Undying Past by Sudermann, Hermann